Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Monday, November 14, 2011

Twilight.


Tonight, I did the unthinkable.  I watched the Twilight movie.

Hold the lynch mob.  It was a purely academic exercise, I promise.  As a student of culture, I realized that it was terribly ignorant of me to judge the film without even seeing it.  It seems that people either love it or hate it, so I wanted to know just what it was that was so divisive.

Going into it, I knew the sparkle thing was a big deal.  Vampires have never, ever sparkled before.  But they also don’t read minds.  Or behave so… stupidly.  So I just went in understanding that the mythology was not going to be what I traditionally understood as vampires or werewolves or anything else.  I knew that the lead actress, Kirsten Stewart, was criticized for a complete lack of emotion.  Got it.  I also knew that the love story was, at best, juvenile.  So I didn’t go in thinking I was about to witness something pure and beautiful.

And boy was I wrong.  It was the most beautiful film I’ve seen in years.

Not really.  Scared you for a minute, though, didn’t I?

If you’re only interested in my final verdict, I’ll save you reading the rest of this and say this: it’s no worse than many other mediocre movies.  It has many, significant problems, but we gloss over these all the time in adventure, sci-fi, and action movies all the time.  So I guess I’m not going to be a straight hater of this film, but I will never say that it’s a good movie. 

Now the details.

Let’s start with what was decent.  For one, it was a pretty film.  The cinematography, while not jaw-dropping, was not bad.  Several shots had great lighting and composure.  They used their environment well.   Second, I didn’t mind Robert Pattinson’s acting.  Though his accent faltered on a number of occasions, I at least believed him most of the time.  Looking through the IMDB trivia, I respect the investment he put into the role, as well (he didn’t talk to anyone for 5 weeks before filming trying to get into the isolation of Edward’s character).  For what it’s worth, I thought the last act of the movie was pretty good.  At least, it was good enough that I stopped taking notes and actually started caring about how the characters would survive.  Unfortunately, it wasn’t until then that I cared at all.

The first two thirds of this movie were pretty awful.  The narration was monotone and useless.  The music was cheesy.  The more I think about it, the less I respect the character of Bella.  She doesn’t really do anything, does she?  I mean, I guess she goes to school and stuff, but everything happens to her, not because of her.  The one time she influences the story is where she insists that they find a way to ensure her father’s safety.  So for over an hour, I’d say, we are just waiting for something interesting to happen.  Nothing does.

The biggest thing that bothered me was a lack of believability.  I mean, I know we’re dealing with fantasy here, but still.  There are rules. 

Take Edward Cullen.  He’s really bad at being a vampire.  You’d think that, for a guy that had graduated high school somewhere in the neighborhood of 20 times, he sure sucked at being secretive.  Bella asks him about why his eye color changes, “Uh…  Um…  Ya see…  It’s, uh, the fluorescent lights.  Yeah.  The lights.  That’s what it is.”  She tells him that she saw him stop the car with his hand and, instead of making something sensible up (“You’ve been through a lot, you might not remember what happened….  I was walking toward you and…”), he says, “No one will believe you.”  That’s not indicting, there, fella.  No one’s going to see that you’re hiding something weird.  You don’t have to worry about keeping your identity a secret for any reason.

Speaking of secrets, don’t you think Bella jumped a little too quickly to the vampire idea?  All it took was an incident whose remembrance could be heavily affected by the trauma, the fact that he was cold, and some other small detail that I can’t remember right now.  All of a sudden, this film that has thus far been fairly reasonable takes a dive into crazy town.

(But then again, Bella lives in crazy town.  Ladies, If a guy tells you “I don’t have the strength to stay away from you anymore,” your answer should not be, “Then don’t.”  That’s a sign you need lots of counseling.)

So why did the last act work so well?  Stakes.  Not wooden ones.  But something at risk.  Nothing was at stake through the whole first two thirds of the movie.  Edward doesn’t lose anything by telling his secret to Bella.  Bella doesn’t lose anything by being (or not being) with Edward.  No one’s in danger.  Not even her happiness seems to be at risk. 

One last note and I’ll let this rant come to a close.  I think Kristen Stewart is a better actor than we’ve been led to believe by this film.  There are several scenes (most of which are with her schoolmates) that she actually bursts to life.  She’s a believable 17 year old girl with interest in what’s going on around her.  I think the director purposely pulled her performance back when she’s with Edward.  When she’s with him, she reverts to this lifeless, monotone girl with no smile.  But whenever Jacob walks into the scene, she smiles and comes to life, pulling more attention as an actor with a vastly more interesting performance.

Honestly, the seeming purposefulness of this shocked me.  If I didn’t know that Team Edward wins, I’d say that this was the setup for the second (or third?) film’s love triangle and that Bella should end up with Team Jacob.  But that’s not what happens.  As I’ve been informed, Bella ends up marrying Edward.  To me, it seems like the director is being surprisingly subversive by controlling Kristen Stewart’s performance like that.  Isn’t the point of the books and movies that she ends up with Edward?  That he’s the right choice that makes her happy?  And yet, at least in this film, she bears more resemblance to a vampire when she’s with him than a happy, in love human.  In fact, her love for him seems more akin to a traditional vampire’s ability to charm someone than anything else.

Just an interesting note on the director and her lead actress. 

Thursday, November 10, 2011

Pokemon: White.

One of my best friends got married back in June and I was honored to be his best man.  I'd never done that before.  It was neat.  Anyway, I guess it's traditional to buy your party gifts.  So my friend decided to buy me Pokemon: White. 

Kind of an unusual choice for a 24 year old man, huh? 

You know what makes it worse?  It was my idea.

It's been a very long time since I've played a Pokemon game.  I think I bought Gold, but by that time, I was sort of over the whole system.  Let's be honest: the mechanics of a Pokemon game have never really changed.  After playing the heck out of the Blue version, I guess I just didn't see the point of playing the same game, but with unfamiliar creatures.



That's completely opposite from why I wanted the latest installment in the series.  In fact, I actually wanted to play this because it was the same, but different.  (I hate being such a typical consumer...)  I wanted to re-experience what I felt as an 11 year old first introducing Pokemon to my friends. 

The more I think about it - because the more I play it, the more I think about it - I realize that it really is just the nostalgia.  I mean, don't get me wrong, the central mechanic of the Pokemon games is fun.  It's like distilling RPGs down to an abundance of options when building out a party.

But that's it.  They're terribly grind-heavy.  The story is awful.  (Especially in White.  It's truly, terribly awful.)  The music is repetitive and, outside of maybe the classic battle theme and gym theme, is utterly uninspiring.  The characters are... non existent.  So what brings me back?

Ultimately, at my core, I'm an explorer.  In the original games, the thing that kept me playing was, "I wonder what pokemon are in the next area?  I wonder when my party will evolve?  I wonder what the next gym leader will be like?"  It's the desire to figure out what's next that kept me playing.  As a matter of fact, when I beat the Elite Four (or whatever they were called), I pretty much stopped playing.  I had discovered everything I was going to discover and had no desire to "catch em all," despite the log line.

And now, as I'm playing a new Pokemon game, I find that the same thing pulls me forward.  A childlike desire to see what's next.  To be a part of discovering how things work.  I've anxiously trained up my Roggenrola into a Boldore (suspiciously like my Blue-version rocky friends, Geodude and Graveller...) just to see what comes next.  It was a delight when, all of a sudden, my Tepig evolved into a Pignite.  I have no idea what the next city on my journey is called, but I'm sure it will be filled with cheesy character lessons and, most importantly, new pokemon to discover and figure out.

Pokemon: White really is the same, just different.  Same formula.  Same battles (mostly).  Same gameplay.  And that's what I love about it. 

Monday, October 31, 2011

Grim.

(Long post ahead...)

I’m not sure if you’ve noticed, but television has not one, but two, new shows coming out this fall based on fairy tales.  Thankfully, neither of them are on Fox, so there’s a chance (however small) that one of them might last a season.  Maybe even two.  Seeing as I like sci-fi and fantasy offerings on TV, I figured I’d give them both a fair shake and make some predictions as to which one will last longer.

Debuting first was ABC’s Once Upon a Time.  It opens with an awkward first date.  Our heroine, Emma Swan, seems to be meeting a rather nice looking fellow for the first time.  Things turn ugly, though, when she starts rattling off his failed financial ventures, the fact that he has a very loyal wife, and how many children he has.  Turns out she’s a bail bonds collector.  A great character introduction and a great character.  How many times have we seen a female bonds collector? 

Long story short, the kid she put up for adoption shows up, tells her that she’s the princess of a kingdom that was cursed to be in the normal world, and persuades her to stick around the town of Storybrooke, Maine long enough to find out if he’s loved – but really to rescue the cursed Enchanted Forest.

Honestly, this show gets big time originality points with me.  A bail bonds collector?  That tells us so much about her character right there!  And she’s supposed to save the magical fairy kingdom!?  From the pilot, there is no formula to the episodes that I can tell.  Heck, she still hasn’t accepted that she is the prophesied hero of these people.  She, motivated by guilt, just wants to make sure that her biological son isn’t being secretly abused by the mayor of this picturesque little village.  There’s so much room to go as we continue to learn about the town, its citizens, and, ultimately, how Emma could possibly be the woman to save the day. 

Despite the similarity in setting, Grimm is a very, very different show.  Rather than being a serialized story about a fantastical world, it is a procedural cop show with fantasy trappings.  The big hook is, simply, that all of Grimm’s fairy tales were true and there is a lineage of people who can get to the bottom of these supernatural mysteries.  Naturally, our hero is one of these Grimms. 

Where Once Upon a Time began cleverly, Grimm begins like all cop shows: showing us a bit of a crime.  Our main character, Nick, is introduced as he shows off an engagement ring to his partner.  And then, off to the crime scene.  And then the creepy, mystical family member (this time an aunt) shows up.  Then, the creepy, mystical family member is almost killed by something supernatural, leaving our hero to cling to her last words: your parents were not killed by a car accident.  They were murdered.  Presumably by a similar creature.

I’d continue, but you really don’t need me to.  The show unfolds exactly like you’d expect it to.  (With the exception of meeting a surprisingly friendly werewolf/big bad wolf/some weird German(?) word that I never quite understood.)  He gets the bad guy by trusting his newfound powers/instincts, then goes back tells his comatose aunt that he will accept this new responsibility.

You know, for a cop, he certainly doesn’t respect due process.  He breaks into his first suspect’s place alone.  When he finds the real killer (who, by the way, is your stereotypical cardigan-wearing, log-home-owning, soft-spoken serial killer whose actor I think I actually have seen play a serial killer before...), he only calls his partner.  Something about after calling wolf, backup wouldn’t come anyway.  After interrogating their suspect, they leave.  But wait!  The partner hears the killer whistling a tune from the first victim’s iPod.  Clearly evidence enough for them to kick in the front door with guns drawn.  When the bad guy runs, Nick’s partner shoots him.  In the back!  Kills him dead.  Like that’s something a cop does when a suspect runs.

Needless to say, I found Grimm to be entirely cliché.  Every choice is expected.  Except, of course, when the characters act completely insane.  That’s sort of a surprise, I guess. 

The question, to me, is which one has a better chance of surviving.  I’ve watched a lot of great shows that got cancelled.  Pushing Daisies comes to mind as an analogous show.  It got cancelled halfway through their second season, but had some of the best writing and production design on television. 

From just the pilots, I think Once Upon a Time is a better show.  It’s more imaginative.  There’s more complexity to it.  The writing was better.  The characters were more interesting.  Plus, they act with some manner of realistic sense.  Our 28 year old bail bonds collector with a near supernatural internal lie detector is not going to just start believing that she’s a fairy princess and begin awakening the town of Storybrooke.  And honestly?  I have no idea how the writers will get her there.  No clue.

The mystery of that compels me to keep watching.  Plus the curiosity of how all the characters have been transformed.  We’ve seen fairies, Gepetto, Snow White, a couple of dwarves, and even Giminy Cricket!  I really want to see who they’ve become in this real world. 

Unfortunately, I think the American people will favor Grimm.  It’s easily understood.  It’s a cop drama that just so happens to have fantastical elements.  Just enough for it to be different than all 50 CSI series while retaining the formula of those shows.  But it’s still fantasy!  As a rule, American audiences have not jived with fantasy.  Combine that with such cliché characters and uninteresting writing and all you’re left with is a “Well, I wonder what fairy tale they’ll use next week?” to keep viewers interested.

Frankly, that’s not enough.  Characters run television, not high concept hooks.

My predictions?  Once Upon a Time gets renewed for a second season (if critics like it), but gets cancelled before it finishes.  Depending on how Grimm evolves in the next four episodes, it might last a season.  Maybe. 

Have you seen these shows?  I’d love to hear what you think of them in the comments.  Honestly, I went in to watching Grimm with a pretty strong bias against it.  Anyone really love it?